Bach Bibliography Search Result - Ordered Chronologically

Author : Stockigt, Janice B.

Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Stockigt, Janice B.:   Die 'Annuae Literae' der Leipziger Jesuiten 1719-1740: Ein Bach-Dokument? BachJb 78 (1992), 77-80
	2.	Stockigt, Janice B.:   Two Zelenka masses in J. S. Bach's Nachlaß. [p]BCB_Exeter (Jul 1998)
	3.	Stockigt, Janice B.:   Performance Practice of the Electoral Saxon and Royal Polish Hofkapelle: Evidence from the Performance Materials of Gesù al Calvario, Jan Dismas Zelenka, 1735. [p]AMS_Kansas (Nov 1999)
	4.	Stockigt, Janice B.:   Jan Dismas Zelenka (1679-1745): a Bohemian musician at the Court of Dresden. OxfordMonographsM (2000), xxiii, 352p
	5.	Stockigt, Janice B.:   The Other Side of the Coin: Catholic Liturgical Music in Lutheran Saxony During Bach's Era. Context 21 (Autumn 2001), 79-84
	6.	Stockigt, Janice B.:   Fasch Visits Dresden: c.1726-1728. FaschSt 8 (2001), 29-56
	7.	Stockigt, Janice B.:   Italian Influences Observed in the Vespers Psalm Settings of Johann Friedrich Fasch. FaschSt 9 (2003), 175-202
	8.	Stockigt, Janice B.:   The royal Polish and electoral Saxon court and state calendars, 1728-50. IrishMStud 8 (2004), 49-64
	9.	Stockigt, Janice B.:   Consideration of Bach's Kyrie e Gloria BWV 232I within the Context of Dresden Catholic Mass Settings, 1729-1733 [cr]Belfast2007 1 (2007), 52-92
	10.	Stockigt, Janice B.:   Pisendel's Contributions to the Performance of Liturgical Music in the Dresden Catholic Court Church. DresdnBeitrMf 3 (2010), 551-560
	11.	Stockigt, Janice B.:   Methodische Fragen zur Identifikation von Incerta aus dem Dresdner Instrumentalrepertoire. [p]Dresden (Jun 2010)
	12.	Stockigt, Janice B.:   The Court of Saxony-Dresden. [ce]MusicGermanCourts (2011), 17-49
	13.	Owens, Samantha; Reul, Barbara M.; Stockigt, Janice B. (eds.):   Music at German courts, 1715-1760: Changing artistic priorities. [ce]MusicGermanCourts (2011), xx, 484p
	14.	Stockigt, Janice B.:   Bach's Missa BWV 232I in the context of Catholic Mass settings in Dresden, 1729-1733. [ce]ExploringBMM (2013), 39-53
	15.	Stockigt, Janice B.:   A Te Deum performance in Bautzen by members of Dresden's Hofkapelle: 19 May 1733. [p]BNUK_Warsaw (Jul 2013)
	16.	Stockigt, Janice B.; Owens, Samantha; Szuster, Jula; Maddox, Alan:   'Bach the Sublime': Australasian Reception of the St. Matthew Passion, 1875-1950. [p]BNUK_Warsaw (Jul 2013)
	17.	Stockigt, Janice B.:   The Visit of Members of the Dresden Hofkapelle to Bautzen: May 1733. UnderstandingBach 9 (2014), 89-92
	18.	Stockigt, Janice B.:   Organists of Leipzig's royal Catholic chapel 1719-1740 (and beyond). [p]BNUK_Cambridge (Jul 2015)
	19.	Stockigt, Janice B.:   The Music of Leipzig's Royal Catholic Chapel during the Reign of August II. UnderstandingBach 11 (2016), 57-66
	20.	Stockigt, Janice B. :   'Nobody rose or joined in these hymns': Premiere Australian performances of J.S. Bach's St. Matthew Passion (1875-76). AustralianMResearch 17 (2018), 11-28
	21.	Stockigt, Janice B.:   Liturgical Music for a New Elector: Origins of Bach's 1733 Missa Revisited. BachPerspectives 12 (2018), 63-83